Monday, May 26, 2014

Sinclair the Striker


Sinclair the Striker by Jay

One of the greatest cricketers from South Africa during the late nineteenth and early twentieth century was Jimmy Sinclair.  Tall and naturally athletic, Sinclair was a powerful batsman.  He is often given credit for hitting the first test century ever for South Africa and is known for whacking some of the most powerful sixes ever witnessed.  Indeed, it is possible he hit the longest six in cricket history when he belted one out of the Old Wanderers cricket ground where it landed on an outgoing train!  He also became the first South African to make over 300 (301) in 1897 for G. Beve’s XI against Roodeport.  Sinclair wasn’t just a good batsman however, he was also a notable bowler – an all-rounder, who could be phenomenal on the right day.  As a teenager he had trounced Lord Hawke’s English team practically all by himself, scoring 157 points and taking all the wickets.  He was definitely the man to watch whenever the English or the Australians had to face South Africa.  In the first decade of the twentieth century, he would be joined by more talent on the South African team including Aubrey Faulkner and C.B. Llewellyn, and this would set the stage for some of the great matchups between these countries.  In 1910, the South Africans, with Sinclair leading the way, toured Australia for the first time.  Sinclair can actually be seen in some very rare footage from one of the tests on this tour.  The clip is very clear for its age.  It is a sunny day, and Sinclair is bowling against Warren Bardsley.  The non-striker is the legendary Australian batsmen, Victor Trumper.   Bardsley hits the ball and begins to run.  Trumper then runs past Sinclair in a mad dash to get to the other end of the pitch but is thrown out by one of the players who is out of frame (probably Llewellyn).  Ignominiously, Trumper falls as he is extending his bat and is then seen rising quickly to his feet where he seems to hitch up his pants before calmly turning around and walking off the field.  In the meantime, Sinclair is seen striding forward, perfectly composed and commending his fellow teammates by clapping, obviously pleased in this great moment of triumph by ridding themselves of Australia’s biggest threat.  It is unfortunate that this is the only known footage of Trumper in action (though some posed footage of him does exist).  However, here we see Sinclair, South Africa’s answer to Trumper, glorying in the moment, forever immortalized on this bright summer day so long ago in December, 1910.  It is interesting to note that when this footage was shot, Sinclair was past his prime though he still from time to time exhibited some of the form that had made him such a feared presence a decade before.   

Below are two pictures of Sinclair.  One is from my collection of tobacco cards, which dates from the same year as the Australian tour (1910).  The other is taken from Roland Bowen’s informative book on the history of cricket called Cricket: A History of its Growth and Development throughout the World.  I believe this picture is really representative of the man and his performance on the field.  In a way, it almost seems contemporary though it is well over 100 years old.  Sinclair looks formidable and intimidating  as he holds his bat high and leans over on his toes, almost as if he is about to topple onto the crease.  There is no question that he is not just protecting the wicket, but is fiercely determined to launch one of his thunderous sixes deep into the cosmos.  It is a picture full of undisciplined energy and raw strength.  Sinclair the striker is life captured at the pinnacle of one’s power.  It is brief, and it is momentary; however, for an instant, the scene captures an ephemeral glimpse of something immortal that transcends this single act of a man.  Sinclair stands out from everything else around him - the subdued, hazy background of buildings, phantom-like in appearance and seeming to want to melt into an obscure and forgotten past – the lone wicket, a three pronged fork planted in the ground as stark as the cricketer himself and yet remote, lonely and isolated within the scene - people in the dimness, but whose images are so deeply blurred that they may as well be  antique shingles or posts rather than breathing, thinking things that were once living and loved by relatives long dead.  The most startling image in the picture however, is Sinclair’s shadow.  As he leans over and prepares to wallop the ball out of the grounds, it almost seems to be rising up to consume him.  It is a grim irony indeed, that Sinclair would die young at the age of 36 on February 23, 1913.   And yet…  the picture defies this end of a man.  He seems to be struggling to burst forth from the diminishing scene, from the blurs and shadows of mortality and into something that strikes into the very core of the sun itself.

 


Sunday, May 18, 2014

The Glass Temple of Worcester

By Craig: What was it? Was it a monster? A giant monolith emerging from the bowels of the earth? It had massive mechanical arms that moved and lifted cars and people up with very little effort, swallowing them whole! It appeared to be made out of glass, and was getting taller with every single day...until eventually...it was the tallest thing on the horizon.

I was around four or five years old when these juvenile thoughts floated through my immature brain. I was processing information the best way that a five year old could. Of course it was only a fiction...a distortion of facts...an erroneous translation due to a five year olds limited knowledge and experience of the natural world. In reality the glass monster that appeared to be rising like a phoenix from the earths mantle and wreaking terrible destruction and mayhem on the unfortunate inhabitants in the distance was none other than the construction of the Worcester County National bank in downtown Worcester Massachusetts. (How's that for a long sentence?) This was in 1972...or perhaps 1973. The glass tower is now known as Worcester Plaza. The giant moving arms were cranes. The I-beams and other mechanical things being lifted were interpreted by my five year old mind to be cars and people. It didn't matter to me then. I wanted no part of that horror that was occurring on the horizon!


At the time that this glass skyscraper was being constructed I was living with my parents and twin brother in my grandfathers triple decker on Queen St. across from the now defunct City hospital where I had been born. I recall sitting on the back porch attempting to make sense of the gargantuan world beyond the safe confines of my grandfathers house. I sensed danger beyond the porch. Out in the street cars flew by, honking their horns while sirens blew from ambulances on a regular basis, coming and going from the place of sickness and death. I sensed brutality...chaos...mayhem. This was the violent world to which I had been born. This was the world in which I would have to survive. My notions of this world haven't changed much in the forty or so years since I first developed them. Only my courage to face this busy and convoluted environment has improved, and this, of course developed over time.

I now realize and understand with a sort of reluctance that this is the way of the universe...our universe. It is hostile, and violent at the core. It starts with the primordial elements and works its way up. One only has to look a hydrogen atom within the confines of our own sun to see the constant struggle of nature. Hydrogen atoms bombarding each other, fusing together in an explosive state to form helium atoms. If this is how the universe is constructed than why should we as humans be any different? We are born into this violent cataclysm! It is our condition in the state of normalcy. The universe is not a peaceful place. Why does a baby cry when it is removed from its mothers womb? Why does it not smile? or even laugh? Does it unconsciously sense the barbarous environment in which it has been cast? Every moment there is a struggle of the elements around you. Even as I write this within the relatively safe confines of my house, while sipping on a refreshing cup of hot coffee, I sense danger. It is in the wind...the sky...the distant sound of booming thunder...a gunshot...the fat toad in its aquarium is on edge...feeling safe under its plastic igloo. As for myself?...I am ready to turn in for the night...locking the doors and making sure that my fighting stick and bayonet are within reaching distance from my bed...I might just as well be on the back porch in Worcester...forty years and 900 miles away sitting on my long dead grandfather's lap listening to his dreams, and watching a giant monster with mechanical arms warn me of the future...I see it still...