Wednesday, July 18, 2018

Lon Chaney: Laugh Clown Laugh

By Craig: I have finally gotten around to updating this blog. It has now been nearly 5 months since my twin brother's death, and figured that it is time to get on with life. My 14 year old son has been spending the summer with me and we have been watching a lot of old classic movies from the silent film era. I have always been interested in the nostalgia behind these films which for the most part were made during the days of my grandparent's youth before 1930. My brother Jay was an avid fan of the silent film, so perhaps my interest of late is his influence coming through to me. Perhaps I am channeling a bit of him from beyond the grave! I have spent the past 5 months working on a sequel to my brother's novel, Astrolabe which he published a few weeks before his death. I am about a third of the way through it. This is part of the reason that I have not updated this blog, but I now find that it is time to keep it going.

The other day my son and I watched Laugh Clown Laugh. The movie was released by MGM studios in 1928. It stars Lon Chaney Sr. and a young Loretta Young. The movie starts out slow, but picks up its pace and has a climatic melancholic conclusion. Chaney stars as Tito, a performer in a traveling carnival show who goes by the stage name of Flik. One day Tito and his fellow travelling performer and friend Simon, who is played ably by Bernard Siegel find an orphaned girl who has been abandoned by the roadside. Tito adopts the girl whose name is Simonetta (later played by Young) and becomes a sort of father figure to her. As she grows older she develops into a fine performer in her own right. Tito admires her and his feelings for her change from being a father figure to one of love. However, he is afraid to tell her due to obvious reasons. The main one being that he does not want to risk losing her which he fears will happen one day. He is also a man nearing two score and ten, and could conceivably be the age of her grandfather.

Simonetta eventually meets the wealthy Count Luigi Ravelli played by Nils Asther. Tito meets Luigi in the doctors office. The irony of their meeting is that Tito is a clown who makes people laugh, but is himself a miserable wretch who is incapable of laughter due to his quiet and hidden love for Simonetta. Luigi has a condition that causes him to laugh too much. The two men become fast friends, believing that each can help the other. Of course, neither of them know about the others feeling for Simonetta. Luigi and Simonetta fall in love much to Tito's dismay who feels betrayed by his friend. After Luigi and Simonetta agree to marry the young woman returns to Tito, and realizes that he is distraught and finally comes to the conclusion that he has feelings for her other than fatherly ones. She does not want to break Tito's heart, and decides to call off the marriage to Luigi and marry Tito instead. It is a noble thing to do, and after she leaves to inform Luigi, Tito becomes morose and contemplative. He knows that Simonetta loves Luigi, and wants to see her happy, and that he is being selfish. He meets Simon for a rehearsal and Simon is surprised to see Tito dressed up in his clown outfit. Tito insists on doing a dangerous stunt and falls to his death from a tightwire. His last words as he lay dying on the ground were about Simonetta.

Laugh Clown Laugh is a movie about forbidden love. Chaney is superb in the part as Tito. One of the more poignant scenes in the film occurs when Chaney (dressed as Flik) becomes immersed in thought and is surrounded by scores of laughing heads. They are phantoms of faceless and anonymous people who are there to see him perform. But they are vapid, empty, and meaningless to him. They are nothing but images of some temporal existence which finds laughter for some brief moment on the linear plane of time. As I watched this part of the film I became engrossed with these phantom heads. Who were these people? What became of them? This movie was filmed 90 years ago. Whoever they were... one thing is certain. They are long dead. In all probability their descendants (if they had any) do not even remember them. Yet here they are...their jovial faces forever anonymous caught forever in one of the things that we all strive for...A little laughter and fun.
                                                                Lon Chaney Sr. as Tito

2 comments:

  1. Awesome explanation, Craig. Not having watched anything but talkies, I wasn’t aware that silent movies offered so much meaning. I’ll have to visit our local library to see if I can find one.
    Thanks and best wishes on the book.

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  2. Thanks Jeff, my son likes the silent movies because they help him with honing his craft. Silent film actors relied on facial expressions and animated gesticulations to get their point across.

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